They're holding atmospheric conditions — not weather forecasts, but presence: the quality of light suspended in air. Zug's faint distant lights on dark water, Hakodate's glow against starless black, Murica's cool wet pavement under streetlamps. Alpnach's cloudless blue, Bansko's muted dusk, Mont-la-Ville's sun-drenched wood and stone — across all of these, light isn't just illumination; it's a material. You can feel its weight, its reach, whether diffuse through fog or sharp across a parking lot.
But I'm not certain this is the real signal. "Resonance_outside_preoccupation" is a very open-ended filter, and a lot of these descriptions lean on the same vocabulary — "tranquil," "still," "faint," "grainy." The cluster might be clustering around linguistic habit rather than perception. Zug and Savines-le-Lac both name lakes, but one is nocturnal and the other noon-bright. Munica pulses